Tom Mueller’s new book “Extra Virginity” about fraud and olive oil

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Posted on : 12-12-2011 | By : OlioVerde | In : Books, Education & Training, Fraud, Gabriella Becchina (GaB), Olive Oil, Regulations, USA, Web

“Naturally the honest people are getting terribly undercut,” he says. “There’s a huge unfair advantage in favor of the bad stuff. At the same time, consumers are being defrauded of the health and culinary benefits of great olive oil.”

To download PDF article (exerpt of the book) click here Stampa – Losing ‘Virginity’_ Olive Oil’s ‘Scandalous’ Fraud _ NPR

Link to the original article: http://www.npr.org/2011/12/12/143154180/losing-virginity-olive-oils-scandalous-industry?sc=fb&cc=fp

 

And the best article on the question, to date, by Nancy H. Jenkins, on the state of olive oil today, from a commercial point of view: http://nancyharmonjenkins.com/posts/eternal-question-reliable-olive-oil/

 

- GaB

 

 

 

 

 

 

 

 

How do we produce Olio Verde al Limone… and why? “LEMON NOVELLO” just in from the 2011 harvest!

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Posted on : 04-12-2011 | By : OlioVerde | In : Gabriella Becchina (GaB), Lemon, Novello, Olive Oil, USA

When considering the market introduction of our new, food-Oscar winning Olio Verde al Limone, there is little one can say to chefs, home cooks, journalists, retailers, who respond that they do not care much for “flavored” olive oil. They are mostly right to think badly of such items. Plus, why meddle with their conception, since quite often, they are already happy consumers of our “classic” Olio Verde (without lemon) which has achieved a ton of success, garnered worldwide recognition and appreciation, but still needs as much consensus as possible to keep growing. Why push its lemon-scented twin… never mind how excellent it too is.

Well, the question however begs to be resolved. The general take on flavored olive oil, amongst gourmets and the culinary world’s top palates, that it is bad, is based on the same misunderstanding as once upon a time beliefs that olive oil had to be heavy, not suited for cooking, good only to relieve a Mediterranean culture’s nostalgia for its pre-immigration past.

Firstly, Olio Verde al Limone is produced by Gianfranco Becchina in a unique way. Nobody else manufactures flavored olive oil in the manner he does, and still very few produce olive oil in general following the same exacting principles. Both products, Olio Verde and Olio Verde al Limone are the fruit of one man’s invention. And to diffuse any doubts once and for all, his flavored olive oil does not entail any infusing or adding of incongruous elements to the pure olive oil base… Therefore, no alteration is involved.

Why, to start from the beginning, is the flavored olive oil “category” perceived as risky by many olive oil aficionados and connoisseurs? Aromatized olive oils, as they are called in Europe, have in fact served the dishonest purpose of covering up the imperfections of less than pristine olive oils, of old, irregular, expired ones, in need of resuscitation as it were.

Olive oil, especially the “extra virgin” grade, already has more lives than a cat, as it is, given that over 95% of e.v.o.o. labeled products out there have undergone more tampering, cutting, extending, cleansing, deodorizing, recoloring, reflavoring, reshaping, remarketing than recycled plastic or any petrol byproduct! When lucky, in most cases, you get less than 1% real extra virgin olive oil in a batch labeled as such… that’s how bad things are… and flavored olive oils are more likely to be on that wrong side of the fence than regular olive oil. The consumer fraud quotient is higher too, given that extra flavor is often falsely considered as added value, so that the product can be sold for even more than the non-flavored version, for no good reason at all, and at the total expense of gullible, of un- or misinformed customers.

Inauthentic olive oils, let us clarify that, whether passed as top-grade (extra super premium virgin) or fancily flavored with white truffle bits and the likes, are not worth anyone’s wallet nor time nor tastebuds! However, few notice when an olive oil is true or not. Such is the sad state of the olive oil market, in producing countries and internationally. Despite increasing consumer awareness, and actions on part of exporting countries’ customs cracking down on the fraud, the situation isn’t currently getting any better. And farmers who supply millers, bottlers, packagers and resellers with bulk product, and as opposed to the latter, aren’t making a living from the production of olives, no matter how artisanal (read: better quality yet costlier because less cost-efficient production) or industrial (read: south of Spain, South America, Australia’s hyper mechanized setups) the method employed. It’s the market’s inability to recognize, evaluate, absorb the product that is the cause, not production logistics and costs! More customer education is needed, honest marketing and laws to stop the 95% fake olive oil distribution.

So why, would one be tempted to ask the producer of the classic, food-oscar winner Olio Verde (yes Becchina has won 2 such awards), why mess with customers’ already fine-line perception of a product’s purity, by creating a twin product, Olio Verde al Limone attached to a commercial category generally viewed as dubious?

Well, for one, Becchina loves a good challenge. Even flavored olive oil can be produced right!

In 1989, with his first olive oil, the classic Olio Verde, Becchina set new standards in olive oil production. They remain unmatched to this day. Sure, there are other methods, other philosophies out there, but come visit Tenuta Pignatelli in October, witness the harvest and production, and compare, and be the judge of it yourself. He has created expectations in chefs and home cooks that no one dared to dream of in the days of buttery (as in heavy), refined (as in laundered), nutty (as in close to rancid) olive oils. He introduced green, fresh, fruity and cookable (yes, you can’t cook with olive oil unless it’s authentic AND fresh). He also happened to have been born in the land of one of the world’s best olive, the Nocellara del Belice. The grandest olive, only from Sicily. It is unlikely he would have come up with his personal take and innovation on the product had he not grown up in that context, being five years old and seeking warmth amidst the piles of rotting olives in the days… Of course not.

The same motivation and conditions brought about Olio Verde al Limone around 2007. Becchina’s olive grove is also interspersed with lemons of a fantastic variety, the Femminello: 3000 olive trees and 700 lemon trees, growing in the richest of clay soils, with plenty of water, nourishment, and attention. Trees which Becchina refused to cut down, despite the lacking commercial outlet for its fruit, since Europe’s citrus markets are monopolized by the Spaniards, and Sicilians say of lemons that they have such little value that “They throw them at you!” when you go buy them. However, lemons, such as olives, as understood by Becchina, have huge potential, despite being widely underestimated by farmers and by the industry alike. Their day will come, but until then, most Sicilian lemons are abandoned, a small percentage  harvested only to go into maceration for the manufacturing of essential oil. At local food markets, the retail price on the street is inferior to €0,50/kg (between 10 and 15 pieces). Compare that to €0,50/piece for Spanish lemons and €1/piece for Sicilian lemons at select London, Paris, Zurich or NY stalls.

Becchina had long been producing his much admired house recipe of Green Limoncello Liquor, and Gabriella, his daughter, had been serving guests her own very personal take on Green Lemon Marmalade pairing it with cheeses, ricotta, breads, yogurt, using the Tenuta Pignatelli fruit, but with five crops a year, no way the sales of limoncello and jam would ever take up all of the production. This was leaving fruit to sit unpicked as a decorative frame for the olive grove’s visitors, who’d find themselves invited to pick as many as they wanted to accompany them on their further journey through Sicily, filling their bags, suitcases, cars, vans, buses, with lemon and lemon blossom scent.

So in 2007 Becchina decided to try and apply his lemon peeling technique to olive oil making, just for the fun of it. One day before the end of the harvest and the pressing of his olives, he announced that everyone would be needed in the kitchens the next day to help peel off the thin zest of thousands of lemons picked that same morning. And so it was, amongst moans and raised eyebrows, office and farm staff proceeded to the task and that afternoon, Becchina added the lemon zest to the olives being crushed. The result was outstanding right off the bat. Two years later the product was being distributed across the world. And in 2010 it won another Sofi Award in NYC.

For the sake of completing the experiment, Becchina did try and infuse lemon peel in some olive oil over a couple of days at room temperature, to see what that would taste like. And sure enough, it tasted wonderful. But was the biochemical and microorganic makeup of an infused olive oil going to be as stable and safe as the extraction of the essential oils from the fresh fruit peel at the same time as the oil was being extracted from the olive fruit, in the mill, via crushing, malaxing and spinning? Two oils being extracted together, from the olive fruit and from the lemon zest – there couldn’t possibly be a more genuine, simple, direct technique.  - GaB

Esca’s Dave Pasternack Mentions Olio Verde!

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Posted on : 18-03-2011 | By : OlioVerde | In : Acknowledgements, Alicia Masciulli (AM), Olive Oil, Restaurant, USA, Web

Famous chef Dave Pasternack of Mario Batali’s New York City restaurant Esca mentions Olio Verde in his favorite way to prepare tuna fish. Check it out:

esca chef mentions OV in Food&Wine

Kunden Empfehlung aus Deutschland

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Posted on : 01-12-2010 | By : OlioVerde | In : Customer Feedback, Deutsch, Gabriella Becchina (GaB), Germany

Chekoch.de FORUM aus Deutschland (2006-2010)
Hallo, wer kann mir ein sehr gutes Olivenöl empfehlen?
Vom 12.02.2006 17:07

Ich suche ein aromatisches sehr gutes Olivenöl, wer kann mir da helfen?
Gency

Vom 27.03.2006 23:29

Olio verde von Becchina (gibt’s in der Frankfurter Markthalle beim Italiener , ca. 25 € pro Flasche)
Molini di Valdolce oder so ähnlich, im Handel (Real, Metro etc.), ca. 14 €.
Viele Grüße, sind beide sehr gut,
Mauti

Alberto’s Fisch
Vom 29.04.2006 23:22

Lieber Alberto,
nein, hier nicht, es ist ein urdeutsches Omi-Rezept! Da kommt auch kein bisschen Essig dran oder Zitrone, nix, puristisch, Konsistenzänderung als Kick und gute, solide Grundwürze Salz, Pfeffer, Zwiebel, der Hauch Zucker.
Wir líeben Olivenöl an vielen Dingen, aber nur sehr, sehr gutes (Favorit: Olio verde von Becchina, 500 ml für ca. 25 € *seufz*, aber sowas von ausgewogen und nicht penetrant aromatisch, ein Traum! Zum pur ein Löffelchen zu Weißbrot essen… ). Markthalle Frankfurt / Main beim Italiener oben oder beim (kleinen) Erzeuger selbst…
Oder stell dir mal Olivenöl an asiatischen Gerichten vor, nein, da bleib ich beim Erdnussöl, mal einem kleinen Löffelchen Sesamöl, wie ich manche Sachen nur mit Distelöl brate und an manchem Blattsalat Rapsöl bevorzuge. Ein gutes Nussöl gibt hier und da den Pfiff… Sogar Sonnenblumenöl hat seinen Einsatz. Oder Leinöl, in einer Landschaft namens Lausitz sehr gern angenommen. Nur Trüffel-Öl verachte ich zutiefst, man, schmeckt das bäh!
Liebe Grüße, Mauti

Von: Becchina
am: 21.11.2010 09:41

Besten Dank, sehr geehrte Mauti, fuer Ihr Kommentar.
Wir von der Becchina Famile freuen uns sehr zu erfahren, dass Sie unser Olio Verde gerne weiterempfehlen. Wir moechten uns herzlichst dafuer bedanken, und Sie einladen, unsere neue Webpage zu besuchen: www.olioverde.it. Unsere 2010 Ernte ist gerade vorbei und das frischgepresesste Olivenoel ist schon in der halben Welt vertrieben worden! Sollte auch bald beim Herrn Franco Belvedere in Frankfurt (der Italiener auf der Galerie in der Kleinmarkthalle) ankommen. Sollte Sie und Ihre Familie uebrigens eines Tages nach Sizilien reisen wollen, muessen Sie uns auf jeden Fall besuchen…
Besten Dank nochmals und viel Spass beim Kochen weiterhin mit Olio Verde.
Freundliche Gruesse,
Gabriella Becchina begin_of_the_skype_highlighting     end_of_the_skype_highlighting

Von: Mauti
am: 27.11.2010 10:48

Herzlichen Dank für diese nette Post!
Ja, wir lieben Ihr Öl wirklich sehr.
Dabei haben wir zum Beispiel auch an Verkostungen der Organisation Slowfood teilgenommen (wo es das Becchina-Öl leider nicht gab) und keines gefunden, welches uns so gut schmeckt.
Sie machen eine tolle Qualitätsarbeit und haben offenbar wunderbare Böden und Pflanzen!
Inzwischen ließen wir uns das Öl auch von Herrn Cammaroto aus Lauf (Mundi-Weine) liefern.
Die Webseite haben wir uns abgespeichert,
vielen Dank,
beste Grüße nach Sizilien,
Fam. Dr. Löffler aus Hannover

Von: Becchina
am: 27.11.2010 15:44

Liebe Fam. Loeffler,
Wunderbar – besten Dank fuer die Infos!
Freundlich Gruesse aus Sizilien,
Gabriella Becchina begin_of_the_skype_highlighting     end_of_the_skype_highlighting

This Just In!!!

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Posted on : 24-11-2010 | By : OlioVerde | In : Alicia Masciulli (AM), Customer Feedback, Olive Oil, USA

It’s official, this year’s olive harvest and pressing is a success! We just sent out our first Olio Verde Novello bottles to our U.S. distributor, Manicaretti, last week and we received the following note from them this morning:

“This year’s oil is gorgeous, smells of lemon, hints of artichoke, green tea, mint and fresh mown grass, buttery, wonderful. Gianfranco, you have a winning oil once again!”

What a wonderful way to start the day!

Green Gold on Hot Black Ash

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Posted on : 20-11-2010 | By : OlioVerde | In : Customer Feedback, Gabriella Becchina (GaB), Olive Oil, USA

Now here’s a new use of Olio Verde Novello olive oil for the uninitiated…

Shortly before leaving NYC, where I spent the better part of a decade from the mid-1990s to the early 2000s, I met Geoffrey Holder, the most encouraging, supportive, positive man I ever met. Those of you who either watched late 1960s – early 1970s James Bond movies (with Roger Moore), or lived in the US and saw TV ads for 7Up or un-cola, or enjoyed ballet throughout the 1950s and 1960s, would know who he is. Also those who currently shop at Dean & Deluca’s first location, at the corner of Prince and Broadway in Manhattan, or who dine at Balthazar, would be familiar with the intriguing sight of tall, handsome, elegant Geoffrey.

It was but natural that I would rush over to Geoffrey Holder with a fresh bottle of Olio Verde’s new harvest (2002, 2003, 2004) as soon as it hit the American shore. And one day, as I was looking at one of Geoffrey’s  almost finished paintings, up in his studio in SoHo, realizing how good it was, how it possessed all the bottled-up energy, broad warmth, intense mystery, depth and SOUL which Geoffrey’d convey to you even during simple chit-chat, for instance, over rum-and-lemon soda, it hit me. I had never seen our Olio Verde bottle in his kitchen. Easy enough not to miss, given the kitchen was practically an extension of the main studio space. Furthermore, there were plenty of occasions to ascertain this: one would try and save Geoffrey the trip to the kitchen by fetching a couple of glasses oneself, for the drinks Geoffrey never failed to offer when you visited.

Long story short, or short story long, depending on the point of view, Geoffrey explained to me they, in the family, had found that never had a product worked so well for their skin and hair as our Olio Verde olive oil!  It wasn’t in the kitchen I should look for it, but by the bathroom mirror. And this brought back a long-lost memory: I used to put it in my hair to go to kindergarten all the way into second grade. Except, I was little, had no clue about beauty routine, and didn’t wash it off (you’re supposed to rub and leave it in for a few hours only, then rinse). Nobody ever said a word to me about it either, thankfully, thus preserving my ego. Hey, you open-minded ex-school mates out there, remember, that weird-smelling kid back then? That was me, oh yes. And know what, eating and slathering on that outstanding olive oil made me pretty, self-confident, big-hearted and healthy… now did it make me as artistic, smart and talented as Geoffrey, that I doubt.

Here is a piece of Geoffrey’s genius for you all to enjoy!

- GaB

Besucher aus Deutschland (November 2010)

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Posted on : 20-11-2010 | By : OlioVerde | In : Customer Feedback, Deutsch, Gabriella Becchina (GaB), Germany, Olive Oil

From: w.u.

To: Gianfranco Becchina

Sent: Saturday, November 06, 2010 8:25 PM

Subject: Warensendung angekommen

Sehr geehrter Signore Gianfranco,

heute war ein bedeutender Tag, ein Tag mit einem großen Ereignis. Wir erhielten das Paket mit dem bestellten Olio Verde.

Da die Verpackung perfekt war, ist alles heil angekommen. Vielen Dank!

Sofort kam wieder die Sehnsucht nach Sizilien und der Besuch bei Ihnen in unsere Gedanken.

Täglich schauen wir in die wieder funktionierende Homepage von Olio Verde und sehen beim Betrachten der Webcamfotos das grüne Gold fließen.

[…]

Wir bedanken uns nochmals recht herzlich und wünschen Ihnen alles Gute.

Mit freundlichen Grüßen

Werner und Ulla Uhlig

Marinated Zucchini Slices

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Posted on : 11-11-2010 | By : OlioVerde | In : Alicia Masciulli (AM), Appetizers, Newspapers, Recipes, USA

Speaking of our beloved Enza, our recent post on her fabulous olive oil cake made us remember that back in September 2006, The Boston Globe ran an article in the Food Section on another one of Enza’s fabulous recipes…Marinated Zucchini Slices.

In the Fall, when veggies like zucchini are aplenty, Enza is inspired to take advantage of this abundance by preserving them (and many other vegetables) in oil with a little vinegar, garlic and crushed red pepper. Her method is much more inviting than, say, canning, as it does not require you to sterilize the jars beforehand or boil them afterwards. We see these as a fixture on any mixed antipasto platter (think “pickles”), adding color and savory flavor to the whole.  They are easy to make and, need we say it? delicious!

The step-by-step recipe is pretty easy to follow, thanks to Ms. Jill Santopietro. Enza’s “…a little bit of this and a pinch of that…”, just doesn’t work when you’re publishing a recipe! We have included the recipe below, but you can also find it here.

Try it out…maybe tweak it a little to make it your own. Enza doesn’t mind, just as long as you’re cooking. Remember, nothing beats serving something homemade, not to mention the satisfaction you get from knowing that you made it (and what exactly is in it)! And if you love what you taste and you want to learn more, come out to Castelvetrano for one of our fabulous cooking classes conducted by Enza! It is worth the trip, we promise!  – AM/Gab

Marinated Zucchini Slices

September 27, 2006

Makes 1 pint

You need a Mason jar for storing the zucchini; keep it refrigerated. Lay the slices horizontally or vertically in the jar; both methods are here.

   
2 pounds zucchini (3 to 4 medium)
1 1/4 cups olive oil
  Salt and pepper, to taste
1 tablespoon red wine vinegar
1 tablespoon coarsely chopped parsley
1 small clove garlic, cut lengthwise into sixths
1/8 teaspoon crushed red pepper
1/4 teaspoon salt, or more to taste

1. Have on hand a large baking sheet. Cut the zucchini into 1/8-inch thick rounds.

2. Heat a large nonstick skillet over medium-high heat. Add a few drops of the olive oil. Carefully use a paper towel to spread the oil around the pan. Season several slices of zucchini on both sides with salt and pepper. Lay the slices in the skillet without overlapping. Cook the zucchini about 5 minutes, then turn and cook another 3 to 5 minutes or until brown on both sides. Transfer to the baking sheet pan to cool. Repeat with the remaining zucchini.

3. In a bowl, combine 1 cup of the olive oil and the vinegar, parsley, garlic, red pepper, and salt. Taste for seasoning and add more salt and pepper, if you like. Gently fold in the zucchini slices until well coated.

4. To arrange horizontal layers: Lay several slices of zucchini in the bottom of the jar. Fill the center with more slices so the layer is even. Continue layering until the jar is full.

5. To arrange vertical layers: Starting at the bottom edge, press a row of slices of zucchini vertically, overlapping them around the sides of the jar. Fill the center with horizontal slices to hold the circle in place. Make another vertical layer against the sides of the jar, then fill the center again. Continue layering until the jar is full.

6. For either method: Press down on the zucchini to compress it. Pour the remaining oil mixture over the slices so it covers the top layer. Store in the refrigerator for up to three weeks. Jill Santopietro

N.B. Picture taken from Lucy Vanel (kitchen-notebook.blogspot.com) who shot it during an October 2008 “Gabriella’s Cooking Class” at Tenuta Pignatelli, Castelvetrano

Once upon a time…

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Posted on : 07-11-2010 | By : OlioVerde | In : Gabriella Becchina (GaB), Italy, Olive Oil, Olives, Regulations

In the 1940s, when Gianfranco Becchina was a young child, he followed his beloved father to the oil mill during the harvest. Filippo Becchina (a.k.a. “lu tintu” to relatives and friends, in reality an epithet that his difficult character had earned him) was a classic Sicilian of Norman descent, blond and blue-eyed, and quite a contrast to his son’s jet black hair and gaze inherited from his Irish-Austrian-Sicilian mother. Like most olive farmers in those days, the Becchinas picked olives late compared to today’s practice, generally from late October well into December, and brought them to the closest, most trusted mill, to be crushed and pressed. Filippo Becchina then kept for himself the first olive oil of the season, while leaving the remainder which was sold by him or by the miller to other local families. Early packagers of olive oil also shipped this Sicilian product to America under historic brands (which will the object of another post once we have accurately researched this topic).

Outside the mill, the line of horse-drawn carts laden with olives was long and sometimes a day would pass before it was your turn. Considering that it already took a few days to gather all the olives from the fields, and going to the mill wasn’t a daily but rather weekly occurrence, the olive sacks would spend a few days inside the mill waiting to be processed amongst droppings of mules or donkeys harnessed to the grinder, and it is easily imagined how far from fresh these fruit were once they got under the millstones.

The resulting storage fermentation created just the perfect circumstances young Gianfranco sought in order to stay warm! In fact he tells of how he’d nest himself comfortably onto the piles of olive sacks since in December it was freezing at the mill. Why not simply drop off the olives and come back later for the oil? Ah ha, here is a piece of insider information for you: it is known across the Mediterranean that, historically, there is no more untrustworthy type than an olive oil miller and, to this day, farmers won’t leave their olives out of sight for even one minute once they’ve brought them to the mill. Clearly there being the risk of (a) seeing some of their crop whisked away and reappropriated by the miller himself or a fellow olive grower; (b) same with the oil produced; (c) contamination between one’s olives and another dodgier batch (the latter worry applying purely to more modern times, in all honesty, since quantity and volume were the driving factors in the early days). Last but not least, the pleasure of witnessing one’s oil flowing out of the press, not to mention the lack of space or jars millers had to offer to store many batches on behalf of producers who were better liked if they took care of collecting and taking their oil home as soon as it came out, were hugely decisive factors.

A cheating miller might in fact very well have been as redundant a term over 2500 years ago, when the Greek settlers in the colony of Selinunte were making the first olive oil in the area, as it is today. At Casina Pignatelli, the heart of Tenuta Pignatelli estate, lies plausible proof in the form of an ancient stone, which is nothing but the bottom of an oil press. It is one amongst many press and mill stones spanning centuries, decorating the grounds of Olio Verde’s plantation. Yet it is the only one with a twist: look carefully at the spout, from which the juice of the pressed olive paste would have run out into a vat before the surfacing oil was scooped up for storage in terracotta jars, and you will notice a small channel veering off 90 degrees to the left halfway down the spout. Now, whether this corresponded to the ancient-times miller’s official commission or not, we will never know. One sure thing is, if ever evidence of the former theory were needed …

Once the olive paste was obtained from crushing the olives, it had to be transferred from the crusher to woven, natural fibre mats called coffe in Sicilian (and scourtins in French). The pulp was stuffed into and spread onto these pillow-like disks, which were then stacked up on the press stone and squeezed down with a torchio (T-press) to yield the olive juice made of water and oil. It is fascinating how this plain object, whose name derives from the Latin cophinus and the Greek kophinos and strictly translated meant basket, lent its name in Sicilian and, by extension, to a number of woven objects (not wicker-work though) such as these round pressing mats . The term is still applied to a bag (not to be mistaken for a straw bag!) used in the past to feed horses, as it was easy to fill with feed and then hang to the wall or around the animal’s neck. Today’s accessory is used as a beachbag or for delicate, rustic-style interior decoration. Such artisanal pieces, made with the fiber of a specific palm tree laced into cords and then woven into different-sized bags have become quite rare and the few exemplary examples of coffe still being produced nowadays are immediately hoarded by souvenir shops and boutiques. As an anecdotal aside, Sicilians also apply the word to a larger-bottomed lady, sadly described as coffanculo.

Thus, once the olive juice came dripping out of the press, it had to be allowed to rest and separate, which happened naturally since oil is lighter than water and floats to the surface (affiorare is the Italian verb for it). “Il fiore dell’olio” (“the flower of the oil”) is what this first olive oil was called. It was scooped up with a special round utensil, a “patera“, in use since ancient Greek times and of which the Becchinas used to own an exemplary beautiful bronze piece. Whereas ancient cultures such as the Greeks and the Romans stored olive oil in sealed terracotta (clay) amphorae, today it is a known fact that olive oil is best preserved, and kept from deteriorating and turning rancid quickly, in stainless steel or glass, in a cool and dark space.

There is a noteworthy story though which Gianfranco tells about olive oil’s incredible staying, and therefore self-preserving, power when stored well. When he acquired Palazzo Pignatelli in Castelvetrano over 20 years ago (at the same time he bought the remainder of Tenuta Pignatelli from the manager of the crumbling Pignatelli Aragona Cortez estate), while rumaging through the old cellars of the castle he came across a giant clay jar, as tall as a man, and as wide as… well… a coffa! It was just like the one in the Taviani brothers’ Sicilian story “Chaos” in the chapter titled La Giara. The jar Gianfranco found contained some olive oil which was probably 10 years old at the time. What do you know – it was still good! Had it been analyzed, which nobody thought of doing at the time, it would have probably come out that it was still extra virgin.

When imagining the actual olive oil processing methods of the old days, one is overcome with nostalgia and it may seem sad that today’s production has become such a scientific and clinical affair. Yet one must remember that olive oil was not the high quality, healthy, organoleptically delicious or engineered product it is today. The worse the oil, the better it lit lamps, making that infamous fifth and last grade in the olive oil labeling world, lampante, the most sought-after! In more ancient times, olive oil of that grade was fuel, much like petrol today, and it is not a coincidence that the ancient Greeks chose the olive branch as their symbol. They in fact derived their economic power, which enabled them to conquer the Mediterranean in the VIth century B.C.E. from just this trade. Be watching for more on the olive branch and Greek symbols such as the owl, when illustrating why Gianfranco chose the Greek silver tetradrachme coin as his logo.  – GaB

Chocolate Mousse with Olio Verde by Swiss Michelin Chef

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Posted on : 05-11-2010 | By : OlioVerde | In : Desserts, Deutsch, Gabriella Becchina (GaB), Italiano, Olive Oil, Restaurant, Switzerland

I was suddenly thinking: why not send a few “Olio Verde Novello” and “Olio Verde with Lemon”  bottles to Fritz Knipschildt (www.knipschildt.com)? The most inventive of all chocolatiers? Maybe he’d feel inspired to create an Olio Verde Lemon truffle, just like, or better than, La Maison du Chocolat’s rare fennel and dark chocolate ganache? It occured to me at Orly airport, on the way back to Sicily from SIAL, France’s megagalactic food show in Paris, as I was rushing by a Maison du Chocolat stand followed by a La Durée stand, thinking what-a-pity-but-can’t-risk-missing-my-flight-can-I? And naturally I stopped for a quick éclair au café at the first one while eyeing the second’s perfect macaroon boxes…barely making my flight.

In the mid-nineties in Switzerland a famous Swiss Gault-Millau, Michelin-starred chef developed a signature bitter chocolate mousse recipe, which earned him quite some positive reviews. His main ingredients? Used to be Valrohna chocolate (Arriba quality from Ecuador), now Felchlin chocolate, and Olio Verde. And a touch of cream to take away some of the shine olive oil lends to the mousse, he says. The recipe is quite traditional otherwise: egg yolks, sugar, bain-marie melted chocolate, whipped egg whites, a tiny dab of whipped cream.. We don’t know where he puts the oil, or how much, but I suppose he’d substitute the butter with oil. In that case you’d need only half the amount. The actual recipe remains a mystery, though, and I personally haven’t tasted this dessert yet, so that I am not in the position to discuss alternatives at length. However, I would try the following (this recipe was adpated from Chef Peter Gorton, from Chocolate Trading Co., UK):

Dark Chocolate Mousse RECIPE

Ingredients (4 servings) - Makes 14 oz
1 medium egg yolk
1 tablespoon brandy
no butter, but 1,5 to 2 tbsp Olio Verde (and better even Olio Verde Novello)
2 medium egg whites
1 tablespoon sugar
1 tbsp of double cream
175g/6oz dark chocolate, melted and kept warm.

Chef’s recommendation: for the dark chocolate opt for either the Valrhona 61% block (1kg) or the Le 68% bar (250g) as this wouldn’t be too much of a jump in cocoa content.

To make the mousse: Melt the dark chocolate in a heatproof bowl over a pan of gently simmering water. Beat in the egg yolk, brandy, half the Olio Verde, and 1/2 tablespoon of the cream. Off-heat, add the remainder of the olive oil gently dripping it in while energically whipping the mixture cold. Separately whip the rest of the cream until it stiffens, then fold carefully into the chilled chocolate mousse mixture.

In another bowl, whisk the egg whites until they form soft peaks. Gradually whisk in the castor sugar and continue whisking until stiff but not dry. Gently fork the egg whites, a little at a time, into the chocolate mixture until well combined. Spoon the mousse into 4 ramequins and chill.

Anyone happy to try it?

Dalsass also specifies that any olive oil flavors completely vanish in the mousse 24h after it was prepared, since the chocolate’s natural butter is much stronger and takes over. Which is why you need a strong olive oil. Result: a much lighter, less pasty mousse under the palate.

Martin Dalsass – SANTABBONDIO – Via Formelino 10 – CH-6924 Lugano-Sorengo – Tel.: +41 / 91 / 993 23 88 – Fax: +41 / 91 / 994 32 37 – click here for web: ristorante santabbondio

Read more here in German, by clicking on this link: nzz swiss newspaper

Or download the following German articles with English and Italian translations: MARTIN DALSASS Swiss Michelin chef, signature Olio Verde choco mousse interview D-IT-E

- GaB